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3 Episodes Available Start Watching Series 1: Episode 1 Series 1 Episode 1 Mark Cobden is sent to HMP Craigmore.
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When an inmate identifies prison officer Eric McNally’s weakness, he faces an impossible choice."Īlongside Sean Bean and Stephen Graham, the full cast of Time features Siobhan Finneran, Sue Johnston, Hannah Walters, David Calder, Nadine Marshall, Michael Socha, Aneurin Barnard, Jack McMullen and James Nelson-Joyce. A tense story of punishment and principles, starring Sean Bean and Stephen Graham.
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The series has three, hour long episodes.Ī synopsis of the first episode reveals: "Mark Cobden is sent to prison and has to learn quickly how to survive.
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New episodes will air weekly on TV on Sunday nights.Īlternatively you can watch the full series online right now via the BBC iPlayer here with all episodes immediately available. Time started on BBC One on Sunday, 6 June at 9PM. What does it take to survive?" Watch Time on TV and online "Sean Bean and Stephen Graham star as two men on the edge in this emotional and thrilling portrayal of life in a British prison.
However, when one of the most dangerous inmates identifies his weakness, Eric faces an impossible choice between his principles and his family. "He meets Eric McNally (Stephen Graham), an excellent prison officer doing his best to protect those in his charge. Written by Jimmy McGovern and directed by Lewis Arnol, Time is a new three-part prison drama starring Sean Bean and Stephen Graham.Ī teaser of the drams shares: "Mark Cobden (Sean Bean) is newly imprisoned, consumed by guilt for his crime, and way out of his depth in the volatile world of prison life. There is a difference between racing through a thriller and wallowing in it.Time has made its debut on BBC One - here's how to watch the full series online right now. There is a point, when the wife is struggling with her leg cast and crutches and the daughter is cleverly signaling her whereabouts and Douglas is trying to perform instant psychiatry at an Emergency Room tempo, and flashbacks accompany the time-honored Visit to the Scene of the Previous Trauma, when it just all seemed laid on too thick. British prison drama Time follows Mark Cobden, a husband, teacher and father who is sentenced to four years in prison after accidentally killing a man.
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But the movie as a whole looks and occasionally plays better than it is. But the final locations are darkly effective, and I liked the way the villain arrives at a spectacular end. The end of ''Don't Say a Word'' does descend, as so many thrillers do, to a species of a chase. Shame that his subtler and more human work in movies like " Wonder Boys" is seen by smaller audiences than his fatal/basic/instinct/attraction/disclosure movies. Sean Bean, as the villain who wants his ''property,'' is as malevolent as can be without suffering serious dental damage.ĭouglas has made roles like this his own, and redeems them by skirting just barely this side of overacting-which is about where a character in this plot should be positioned. And the police detective ( Jennifer Esposito) is pushing it when she arrives in the nick of time. Or at the way Murphy's character is sane and insane to suit the conveniences of the plot (a glib explanation doesn't account for what should be the lingering effects of drugs). Some might wonder (actually, I might wonder) why the villain can wait 10 years and then give Douglas only eight hours to work with his patient. What's remarkable is how certain performances, especially Brittany Murphy's as the mental patient and Sky McCole Bartusiak's as the kidnapped girl, find their own rhythm and truth in the middle of all that urgency. The bank robbery opening the movie is recycled from countless similar scenes, but then the movie makes a twist and the plot keeps piling it on. Consider Douglas' fellow psychiatrist, played by Oliver Platt, who has his own reasons for immediate results. The look of his pictures shows the touch of an artist, and he has a fondness for character quirks that flavors the material. Here again he shows a poetic visual touch, cutting between cozy domestic interiors and action scenes shot in gritty grays and blues. Who else can start out so well-groomed and end up as such a mad dog? The movie was directed by Gary Fleder, whose "Kiss The Girls" (1997) was taut and stylish. But I also have a sneaky affection for Douglas thrillers where he starts out as a sleek, rich businessman and ends up with an ax in his hand. I like thrillers better when they put believable characters in possible situations (" The Deep End" with Tilda Swinton, was accused of implausibility but is cinema verite compared to this). We cast loose from the shores of plausibility and are tossed by the waves of contrivance.
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